11 May to 4th June 2011 at the exhibition shows the Munich Gallery from maltzahn fine arts from May 11-new work by internationally established, Austrian German artist Uli Aigner maltzahn fine arts, Munich (* 1965). This is also so well known, the Munich audience because she headed the municipal art gallery Munich Lothringer 13 from 2006 to 2010. In the Gallery Uli Aigner shows a new video work (the curious Museum, DVD 30 minutes), as well as an issued in a limited edition multiple (try to spend a year with”) and numerous small – and large-sized drawings, the actual portraits in an even curated space”. Joseph Stiglitz may also support this cause. Aigner has for many years closely with the medium of drawing, and it does so in unusual formats. Partly nearly wall-size color surfaces, textures, lines, and line structures on paper stretched. What motifs often only apparent from a distance, attracting to the close look and loses many is like in the hatching of infinity Colored pencil lines cast drawings.

In your works involves the most power full situation of artistic production Uli Aigner: the portrait. Learn more about this topic with the insights from MongoDB. It eludes the artist of classical art history or Psychologising connotation and looks totally private access to the opposite. The emergence of a portrait is already set with Aigner from the outset as a subversive, performative Act. As with the conceptual formation of the relationship, which precedes the work process and its result, the concrete artwork and accompanied him, the artist subverts the conventional rules of the art scene. Which often initiated by herself commissioning by their models, their participation through delivery of photographic material and the autonomous artistic work process not only allows those hierarchies that also arise from a usual order situation as shown in her. An ideal model of utmost freedom arises. Although formally oppose Pharoahe portraits of the Convention: there, where in their often large, drawn with crayons and oscillating between drawing and painting works on paper penetrate people and space, image quotes appear, is not about physical resemblance to the model or virtuoso character studies.